Grim on Mbient – Best of 2011 Mixtape Download

Grim on Mbient – Best of 2011



Style: IDM, Experimental, Downtempo, Ambient, House, Disco, Dubstep

Duration: 67:14 (153Mb @ 320cbr mp3)

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Check out this great Mix from Grim on Mbient and download here for free ; )

Part 1:

Kattoo – ll– l- l–l-ll- l-ll
Amiina – What are we Waiting For?
Deru – I would Like
Funckarma – Wynd Interlude
Deru – I want
Yimino – Yaniznaya
DJ Mace and Erwin Vann – Böse
Michael Jackson – (I Can’t Make It) Another Day (feat. Lenny Kravitz)
Caro Emerald – You Don’t Love Me
Jamie Lidell – Coma Chameleon
DJ Mace – Interlude – Beyond Good & Evil
Airliner – Dienyddio
Mr Scruff & Kirsty Almeida – Pickled Spider
DJ Scientist – Bad Jokes
Body Language – You Can
Kelpe – Margins
Synthetrix – From One Source All Things Depend – Pt II (Synthetrix Remake, original by Boards of Canada)
Deru – I would Like
Nosaj Thing – Us (Dntel Remix)
Wisp – Myriad

Continue reading Best-of-2010-Mix-by-Grim-on-Mbient

DJ Spooky – Infinite Abstraktion – Free Mixtape + Podcast

free mixtape

Paul aka DJ Spooky is one of the most advanced and political active
djs nowadays

… now he released his new album “the secret song” and done a new free web mixtape using
his own new iPhone application !

we will provide this new free web mix also via our > podcast here

J Spookyʼs new project “The Secret Song” – isnʼt really an album: itʼs a manifesto about the place of history in our modern collaged, scrambled, sampla-delic to the core, mega info overloaded digital culture. With references stretching from Thorstein Veblenʼs “Theory of the Leisure Class” and John Maynard Keynes classic in the field of economics “The General Theory of Employment, Interest, and Money” over to hip hopʼs relationship to psychoanalysis and a la Edward Bernayʼs concept of the “manufacture of consent” – DJ Spookyʼs new album is a groundbreaking meditation on hip hop and electronic musics relationship to philosophy, economics, and the science of sound in a world where the steady drumbeat of the financial meltdown has made music the last refuge of young people with less and less time and money. DJ Spookyʼs peer group of artists like DJ Krush, DJ Shadow, Cut Chemist, RJD2, DJ Logic, Amon Tobin, and Coldcut have all played with the idea of concept albums. With “The Secret Song” DJ Spooky looks to bands like Nine Inch Nails, and Radiohead for inspiration. As DJ Spooky likes to say “people – it’s ALL about economics.” Dig? …from

presents always something in his releases you cant imagine. He combines different sounds and vibes from different cultures around the world. Like no other dj in the world, he is really open to music at all !
He made the impossible things, possible. Spooky try to bring back a message into the music which is lost in most of todays releases.
He concentrate also on actual political conflicts and he try to spread information through this musical way. Not so many more djs today do something like this today .

Seems to be, he have a true mission like KLF and Coldcut and more have them ! > staff

check all the latest dj spooky news on his own site !

Infinite Abstraktion Tracklist:

Continue reading DJ Spooky – Infinite Abstraktion – Free Mixtape + Podcast

Anti Pop Consortium is BACK on Big Dada

A.P.C. signed to BigDada Rec. a Sublabel of the uk based Ninja Tune Label (Coldcut)

Anti Pop Consortium On Tour 2009

06.04.09 – Saint Etienne, France – Le Fil 06.05.09 – Ramonville Toulouse, France – Bikini 06.06.09 – Marseille, France – Cabaret Aléatoire 06.07.09 – Chateauneuf de Gadagne, France – Akwaba 06.10.09 – . . . → Read More: Anti Pop Consortium is BACK on Big Dada

Sven Vath in the Mix Mixes 1991 -98 @ OMEN Frankfurt

Sven Vath @ Omen, Frankfurt 26.1.1996 Sven Vath @ Omen, Frankfurt 30.6.1996 Sven Vath @ Omen, Frankfurt 26.11.1993 Sven Vath – Live at Club Omen (Germany) 1991 Sven Vath Vs. Dj Frank @ The Omen 1993 Sven Väth, DJ Hell, Marco Carola @ Omen Closing Party 18.10.1998 | Sven Väth, . . . → Read More: Sven Vath in the Mix Mixes 1991 -98 @ OMEN Frankfurt

Coachella Festival 2008 (25-26-27 April 2008)

Coachella Festival 2008 (25-26-27 April 2008)

portishead 01 – Silence 02 – Mysterons 03 – The Rip 04 – Glory Box 05 – Wandering Star 06 – Machine Gun 07 – Over 08 – Sour Times 09 – Cowboys 10 – Threads 11 – Roads 12 – We Carry On

the racounters . . . → Read More: Coachella Festival 2008 (25-26-27 April 2008)

Scene / FTP Topsites / Elite / The "Scene" a free german Audiobook

K1ller Hoerspiel zum Thema “the Scene” eine elektonische SUBkultur im Wiederstand.

Digital Underground – WDR-Hörspiel zum Thema / German “Scene” Audiobook

[click here 4 free mp3 ]

resources etc.

> wikipedia:

“Unter The Scene wird eine Computer-Subkultur verstanden, die sich im wesentlichem zum Ziel gesetzt hat, illegale Kopien von neuen Filmen und Computerspielen sowie . . . → Read More: Scene / FTP Topsites / Elite / The "Scene" a free german Audiobook

The KLF Tribute Mix by Mr. Trick & Striktly Kev

I was going to post this up before the end of the year (for reasons that will become apparent), but decided to wait until now so that people would be past the whole festive/new year madness and might therefore give this one some time and thought.

Back in 2006, slightly curious sequence of events . . . → Read More: The KLF Tribute Mix by Mr. Trick & Striktly Kev

Best of 2007 by Grim on Mbient

A melodious survey of the year 2007 in a tearing rush, yet taking time for a few snapshots to memorize this year. This years edition is with a certain nonchalant touch as some transitions are on the very edge of being a close call. My will to put up a lot of favorite songs . . . → Read More: Best of 2007 by Grim on Mbient

Camjackers released > Independant Hip-Hop Movie 4 real

“Camjackers” has landed

After 5 years in Los Angeles, experimental filmmakers, Julian and Linnea Dahl, have returned to Vashon with their first feature film – “Camjackers” – a quirky comedy-drama in which class war, revenge and the race divide collide in a funny post-Reality hiphop mindtrip.

This carefully improvised film follows the underclass Camjackers as they wreak their revenge on the middleclass Filmfakers using their own cameras against them. The film caricatures white cooption of black culture in the ironically simultaneous contexts of racial fear and the fetishization of black cool. Secondly, it explores indie-filmmaker-as-pop-icon with a knowing wink at media access, representation, and social control. Lastly, “Camjackers” is an actual experiment in genuine creative access in which two real groups of film artists were actually given the tools to realize their films-within-a-film, while also starring as characters within this feature film. The story takes shape in real time as the Camjackers edit various tapes on screen while we watch.

According to director-producer, Julian Dahl, “we were shocked by the third-worldization of LA, the hordes of homeless, the cultural and material theft of the underclass, so we tried to make fun of the powerful and provide a platform for artists to speak and the underdog to triumph.”  Shot with real artists on the streets without a script, Julian relied on his charaters’ passion, skills and experiences to infuse the plot with bite. “I wanted to show the parisitic nature of Hollywood, the power of African-American culture, and the reality of folks in the hood.”

Based on an original idea by Linnea Dahl, co-writer, “Camjackers was, for me, a way of dealing with almost getting shot in my home, living in the ghetto as a urban pioneers, and watching rich whiteboys with toys trying to riff on authentic ghetto experience.”

Teaming up with LA Filmmakers Co-op (, a filmgroup described by Res magazine as “media merry pranksters on wheels”, Julian and Linnea sold their house, put out casting calls, and conjured the dream into actuality. Three and a half years later, the film is done and touring the festival circuit, recently winning Best Editing at Ann Arbor Film Festival and screening at Harlem International Film Festival.

This is a chance to see the work of WildChild producers Julian and Linnea Dahl close up.

Bust out underground conscious hip hop from the leading lights on the west coast – 2MEX, Orko Eloheim, Phoenix Orion, Honz & Halos and more. Blessed by the legendary folks at Project Blowed – the longest running hip hop label on the west coast.


“It’s cool, man. We’ve got black friends…”


Can’t make a film? Just steal one! Class war, revenge and the race divide collide in this funny post-Reality hiphop mindtrip.


CAMJACKERS is a funny, LA street story about 2 rich, scared filmfakers in the hood and the 3 guys who ‘borrow’ their equipment, make a film, get ripped off, and seek revenge.


Two rich, clueless filmschool grads (“the Filmfakers”) are shooting a “ghetto” interpretation of an ancient Greek play on the mean streets of Los Angeles. Their equipment is ‘borrowed’ by three street youths (“the Camjackers”), who shoot a compelling documentary on underground hiphop. The Filmfakers rip off the Camjackers’ film and rise to fame and fortune. The Camjackers see their stolen work on TV and seek revenge.


Camjackers is an experiment in creative access in which two real groups of film artists were given the tools to realize their films-within-a-film, while also starring as characters within this feature film. The story takes shape in real time as the Camjackers play rushes and edit various tapes on screen while we watch. The rawness of the film, and especially of the hip hop short-film-within-the-film and the street documentary footage, comes from a freestyle approach to filmmaking itself – unscripted, off-the-cuff, real responses to contrived contexts played out in real time and jumpcut together coalescing into a finished feature film before your very eyes.


The Filmfakers are shooting a ‘ghetto’ interpretation of the ancient Greek play, Lysistrata (“Sista Strada”) on the streets of LA. When approached by a group of street youths (the “Camjackers”), the Filmfakers think that they are being mugged so they give their camera, tripod and watch to the Camjackers and run away.

The shocked Camjackers take the stuff and then discover the abandoned Filmfaker’s production van. The Camjackers decide to make a film in one day.

They shoot some footage and then take the camera and laptop to their apartment to show their friends, Shante and Olinda. Rather than hock the stuff, Olinda insists that they make a film themselves.

All four Camjackers ride in the stolen production van and work on their film ideas. Cody and Phoenix then play with the camera and accidentally leave it running. They film themselves and their world as we see rushes from their short film-in-the-making. We then see part of their edited short film.

The cops see the Camjackers walking along the street and assume they stole the Filmfakers’ stuff. The cops give chase but the Camjackers escape.

The Camjackers go to a club to find talent for their short film. They continue shooting street people into the night. While the Camjackers are shooting the last shot of the night, they are again harassed by the cops and then break free.

Surveillance footage shows the Filmfakers recovering their equipment and checking their tapes and harddrives. The Filmfakers discover a short film on their harddrive (shot and cut by the Camjackers). The Filmfakers decide to steal the Camjackers’ short film and release it under their own names. The Filmfakers win the Best Short Subject Prize for their film. They begin their rise to fame and fortune.

Several months later, the Camjackers see themselves and their film on TV without credit. They become very angry and plot revenge.

The Camjackers break into the Filmfakers’ rich home, grab the original copy of their short film and steal some home movies and surveillance tapes. On these tapes we see the Filmfakers indulge in degrading and unethical behavior.

We then see a cable TV entertainment show (“Real Entertainment”) that showcases the Filmfakers and their stolen short film.

The Camjackers know they need releases to use the embarassing Filmfakers’ footage, so they pose as a “Pirategram” singer and a postal worker to get the Filmfaker’s to sign (hidden) release forms.

The Camjackers then sell the raw footage to a sleazy cable TV entertainment magazine show (“Shamefile”). We see the trashy “Shamefile” TV spot assassinating the Filmfakers as professionals and human beings with samples from the Filmmakers’ own home movies and surveillance tapes.

The Camjackers are officially recognised as authors of their own work and gain some fame for their efforts. As the final celebratory scenes unfold in the limo and the club (Project Blowed), we see the Camjackers living high. The Filmfakers, recently released from jail, visit the club. As the Filmfakers try to salvage whatever they can, we see Phoenix harshly dismissing the Filmfakers, who are then thrown out of the club.

As the credits roll, we learn that the Camjackers actually put together the whole Camjackers feature film themselves.

                                                        O.S.T. Released
          01  02:46 2mex – The Return Of Fernandomania                 
          02  03:20 2mex – Treesun                                     
          03  04:00 2mex – Baby I Aint Jokin                       
          04  03:03 2mex – Aliveacation                                
          05  03:59 Horns and Halos – The Feddi                        
          06  03:17 Orko Eloheim – Eternal Law                         
          07  03:40 Orko Eloheim – Innerspace Massive          
          08  06:10 Phoenix Orion – Scifidelity                        
          09  03:48 Acid Reign and Olmeca – Some Say     
          10  03:33 Devastator – The Unheard                          
          11  02:15 Rawskillz – Cyclone                                
          12  04:17 Orko Eloheim – American Fear            
          13  04:32 Orko Eloheim – Eloheim 777               
          13  48:40 min                  

Continue reading Camjackers released > Independant Hip-Hop Movie 4 real